Artur Rubinstein, geboren am 28. Januar 1887 in Łódź, Polen, und verstorben am 20. Dezember 1982 in Genf, Schweiz war ein polnisch-jüdischer Pianist, der als Exilpole im Alter von 60 Jahren die US-amerikanische Staatsbürgerschaft annahm. Er gilt als einer der großen Pianisten des 20. Jahrhunderts. Besondere Bedeutung erlangte er als Interpret der Werke Frédéric Chopins.
Carte Professionnelle, 1956, papier, 18,5 x 21 cm, Carte Professionnelle wystawiona dla Artura Rubinsteina przez ambasadę Belgii w Paryżu 20 listopada 1956 roku.
The photo contact sheet, identified as A9032 by the White House Photographic Office (WHPO), is housed at the Gerald R. Ford Presidential Library, a branch of the National Archives and Records Administration (NARA). This file is a 200 dpi photo contact sheet having images from roll of film A9032 of the August 9, 1974 - January 20, 1977 Gerald R. Ford White House Photographic Office Series A0001-A9999 and B0001-B2886 photographs. The date on the photo contact sheet is the date the roll of film was processed, not necessarily the date the photographs were taken. See table below for additional details.
Bildquelle: Kreisler-heifetz-cortot-rubinstein.jpg Autor: Wikipedia / Images cropped and assembled by Tim riley from above-mentioned Wikimedia Commons files. All images are stated to be public domain: licensing category below selected accordingly. Lizenz: gemeinfrei
Images of Fritz Kreisler, Jascha Heifetz, Alfred Cortot and Artur Rubinstein composited for use in article on John Barbirolli as four of the soloists whom Barbirolli accompanied in his early recordings.
Collectie / Archief : Fotocollectie Anefo Reportage / Serie : [ onbekend ] Beschrijving : Onthulling bronzen portret van Arthur Rubinstein in de artistenfoyer van het Congresgebouw; Arthur Rubinstein in rolstoel Datum : 23 april 1980 Locatie : Amsterdam, Noord-Holland Trefwoorden : beelden, onthullingen, pianisten, portretten Persoonsnaam : Rubinstein, Arthur Fotograaf : Pereira, Fernando / Anefo Auteursrechthebbende : Nationaal Archief Materiaalsoort : Negatief (zwart/wit) Nummer archiefinventaris : bekijk toegang 2.24.01.05 Bestanddeelnummer : 930-7877
On the image: presented to Artur Rubinstein to recognise the sale, in the United Kingdom, of more than 300,000 copies of his recorded performances on RCA Red Seal Records long playing record albums 1968 - 1975
Łódź first appears in records in the fourteenth century. It was granted town rights in 1423 by the Polish King Władysław II Jagiełło and it remained a private town of the Kuyavian bishops and clergy until the late eighteenth century. In the Second Partition of Poland in 1793, Łódź was annexed to Prussia before becoming part of the Napoleonic Duchy of Warsaw; the city joined the Duchy of Warsaw, a Russian client state, at the 1815 Congress of Vienna. The Second Industrial Revolution (from 1870) brought rapid growth in textile manufacturing and in population owing to the inflow of migrants. Following the industrialization of the area, the city has been multinational and struggled with social inequalities (as documented in the novel ’The Promised Land’). The contrasts greatly reflected on the architecture of the city, where luxurious mansions coexisted with red-brick factories and dilapidated tenement houses. The industrial development and demographic surge made Łódź one of the largest cities in Poland. The Scotch Mist Gallery contains many photographs of historic buildings, monuments and memorials of Poland.
Łódź first appears in records in the fourteenth century. It was granted town rights in 1423 by the Polish King Władysław II Jagiełło and it remained a private town of the Kuyavian bishops and clergy until the late eighteenth century. In the Second Partition of Poland in 1793, Łódź was annexed to Prussia before becoming part of the Napoleonic Duchy of Warsaw; the city joined the Duchy of Warsaw, a Russian client state, at the 1815 Congress of Vienna. The Second Industrial Revolution (from 1870) brought rapid growth in textile manufacturing and in population owing to the inflow of migrants. Following the industrialization of the area, the city has been multinational and struggled with social inequalities (as documented in the novel ’The Promised Land’). The contrasts greatly reflected on the architecture of the city, where luxurious mansions coexisted with red-brick factories and dilapidated tenement houses. The industrial development and demographic surge made Łódź one of the largest cities in Poland. The Scotch Mist Gallery contains many photographs of historic buildings, monuments and memorials of Poland.
Łódź first appears in records in the fourteenth century. It was granted town rights in 1423 by the Polish King Władysław II Jagiełło and it remained a private town of the Kuyavian bishops and clergy until the late eighteenth century. In the Second Partition of Poland in 1793, Łódź was annexed to Prussia before becoming part of the Napoleonic Duchy of Warsaw; the city joined the Duchy of Warsaw, a Russian client state, at the 1815 Congress of Vienna. The Second Industrial Revolution (from 1870) brought rapid growth in textile manufacturing and in population owing to the inflow of migrants. Following the industrialization of the area, the city has been multinational and struggled with social inequalities (as documented in the novel ’The Promised Land’). The contrasts greatly reflected on the architecture of the city, where luxurious mansions coexisted with red-brick factories and dilapidated tenement houses. The industrial development and demographic surge made Łódź one of the largest cities in Poland. The Scotch Mist Gallery contains many photographs of historic buildings, monuments and memorials of Poland.
Łódź first appears in records in the fourteenth century. It was granted town rights in 1423 by the Polish King Władysław II Jagiełło and it remained a private town of the Kuyavian bishops and clergy until the late eighteenth century. In the Second Partition of Poland in 1793, Łódź was annexed to Prussia before becoming part of the Napoleonic Duchy of Warsaw; the city joined the Duchy of Warsaw, a Russian client state, at the 1815 Congress of Vienna. The Second Industrial Revolution (from 1870) brought rapid growth in textile manufacturing and in population owing to the inflow of migrants. Following the industrialization of the area, the city has been multinational and struggled with social inequalities (as documented in the novel ’The Promised Land’). The contrasts greatly reflected on the architecture of the city, where luxurious mansions coexisted with red-brick factories and dilapidated tenement houses. The industrial development and demographic surge made Łódź one of the largest cities in Poland. The Scotch Mist Gallery contains many photographs of historic buildings, monuments and memorials of Poland.
Łódź first appears in records in the fourteenth century. It was granted town rights in 1423 by the Polish King Władysław II Jagiełło and it remained a private town of the Kuyavian bishops and clergy until the late eighteenth century. In the Second Partition of Poland in 1793, Łódź was annexed to Prussia before becoming part of the Napoleonic Duchy of Warsaw; the city joined the Duchy of Warsaw, a Russian client state, at the 1815 Congress of Vienna. The Second Industrial Revolution (from 1870) brought rapid growth in textile manufacturing and in population owing to the inflow of migrants. Following the industrialization of the area, the city has been multinational and struggled with social inequalities (as documented in the novel ’The Promised Land’). The contrasts greatly reflected on the architecture of the city, where luxurious mansions coexisted with red-brick factories and dilapidated tenement houses. The industrial development and demographic surge made Łódź one of the largest cities in Poland. The Scotch Mist Gallery contains many photographs of historic buildings, monuments and memorials of Poland.
Łódź first appears in records in the fourteenth century. It was granted town rights in 1423 by the Polish King Władysław II Jagiełło and it remained a private town of the Kuyavian bishops and clergy until the late eighteenth century. In the Second Partition of Poland in 1793, Łódź was annexed to Prussia before becoming part of the Napoleonic Duchy of Warsaw; the city joined the Duchy of Warsaw, a Russian client state, at the 1815 Congress of Vienna. The Second Industrial Revolution (from 1870) brought rapid growth in textile manufacturing and in population owing to the inflow of migrants. Following the industrialization of the area, the city has been multinational and struggled with social inequalities (as documented in the novel ’The Promised Land’). The contrasts greatly reflected on the architecture of the city, where luxurious mansions coexisted with red-brick factories and dilapidated tenement houses. The industrial development and demographic surge made Łódź one of the largest cities in Poland. The Scotch Mist Gallery contains many photographs of historic buildings, monuments and memorials of Poland.
Łódź first appears in records in the fourteenth century. It was granted town rights in 1423 by the Polish King Władysław II Jagiełło and it remained a private town of the Kuyavian bishops and clergy until the late eighteenth century. In the Second Partition of Poland in 1793, Łódź was annexed to Prussia before becoming part of the Napoleonic Duchy of Warsaw; the city joined the Duchy of Warsaw, a Russian client state, at the 1815 Congress of Vienna. The Second Industrial Revolution (from 1870) brought rapid growth in textile manufacturing and in population owing to the inflow of migrants. Following the industrialization of the area, the city has been multinational and struggled with social inequalities (as documented in the novel ’The Promised Land’). The contrasts greatly reflected on the architecture of the city, where luxurious mansions coexisted with red-brick factories and dilapidated tenement houses. The industrial development and demographic surge made Łódź one of the largest cities in Poland. The Scotch Mist Gallery contains many photographs of historic buildings, monuments and memorials of Poland.
Łódź first appears in records in the fourteenth century. It was granted town rights in 1423 by the Polish King Władysław II Jagiełło and it remained a private town of the Kuyavian bishops and clergy until the late eighteenth century. In the Second Partition of Poland in 1793, Łódź was annexed to Prussia before becoming part of the Napoleonic Duchy of Warsaw; the city joined the Duchy of Warsaw, a Russian client state, at the 1815 Congress of Vienna. The Second Industrial Revolution (from 1870) brought rapid growth in textile manufacturing and in population owing to the inflow of migrants. Following the industrialization of the area, the city has been multinational and struggled with social inequalities (as documented in the novel ’The Promised Land’). The contrasts greatly reflected on the architecture of the city, where luxurious mansions coexisted with red-brick factories and dilapidated tenement houses. The industrial development and demographic surge made Łódź one of the largest cities in Poland. The Scotch Mist Gallery contains many photographs of historic buildings, monuments and memorials of Poland.
Łódź first appears in records in the fourteenth century. It was granted town rights in 1423 by the Polish King Władysław II Jagiełło and it remained a private town of the Kuyavian bishops and clergy until the late eighteenth century. In the Second Partition of Poland in 1793, Łódź was annexed to Prussia before becoming part of the Napoleonic Duchy of Warsaw; the city joined the Duchy of Warsaw, a Russian client state, at the 1815 Congress of Vienna. The Second Industrial Revolution (from 1870) brought rapid growth in textile manufacturing and in population owing to the inflow of migrants. Following the industrialization of the area, the city has been multinational and struggled with social inequalities (as documented in the novel ’The Promised Land’). The contrasts greatly reflected on the architecture of the city, where luxurious mansions coexisted with red-brick factories and dilapidated tenement houses. The industrial development and demographic surge made Łódź one of the largest cities in Poland. The Scotch Mist Gallery contains many photographs of historic buildings, monuments and memorials of Poland.
Łódź first appears in records in the fourteenth century. It was granted town rights in 1423 by the Polish King Władysław II Jagiełło and it remained a private town of the Kuyavian bishops and clergy until the late eighteenth century. In the Second Partition of Poland in 1793, Łódź was annexed to Prussia before becoming part of the Napoleonic Duchy of Warsaw; the city joined the Duchy of Warsaw, a Russian client state, at the 1815 Congress of Vienna. The Second Industrial Revolution (from 1870) brought rapid growth in textile manufacturing and in population owing to the inflow of migrants. Following the industrialization of the area, the city has been multinational and struggled with social inequalities (as documented in the novel ’The Promised Land’). The contrasts greatly reflected on the architecture of the city, where luxurious mansions coexisted with red-brick factories and dilapidated tenement houses. The industrial development and demographic surge made Łódź one of the largest cities in Poland. The Scotch Mist Gallery contains many photographs of historic buildings, monuments and memorials of Poland.
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